Fringe Film 2015


As part of this years Melbourne Fringe Festival there are a series of short films and video art works screening in the Fringe Film program. My video Explicate is one of 11 works screening at Federation Square between 6pm and 7pm nightly from the 17th until 21st of September. There are also many more works screening on Sunday 27th September at the Fringe Hub, North Melbourne Town Hall. Among them will be both Explicate and another of my works Drubboth of which investigate the manmade environment and hint at the exploitation of workers, past and present, in Australia and Malaysia.



Romaji (ローマ字) is a term that defines the romanisation of Japanese script to aid translation of that language into roman characters. The term loosely describes the phonetic translation of Japanese language to English (or romanised) languages emanating from the Western world. This title was chosen for the project because the production of these video art works are born from a similar pursuit. This effort is to transcribe ideas of political theory in contemporary Asia to those people viewing the works in Kyoto, Japan.
The Econasia series is a project that has spanned four years and encompasses nine single and multichannel video art works, with accompanied photographs.
Econasia: Romaji incorporates 4 of these video works that investigate both the manmade and natural environments in North Korea, Japan, Indonesia and Malaysia. Local social and political accounts that relate the economic and political influences driving the socalled Asian Century are interwoven with modernist literature, sound, and contrived narratives that depict political science in the moving image.


Bivouac 2013 – Artist Call Out


Submissions are now being sought for the 2013 instalment of the Bivouac exhibition of Video Art. This is an exhibition that explores temporality in site and place. The show is staged in a different venue each year and the curatorial focus is upon video works that have a direct relevance to site & place whilst not being confined to works that are explicitly site-specific. The preferred format is 3-Channel works although all submissions will be considered.

Bivouac 2013 will show new works by 10 selected artists at Horse Bazaar; a Melbourne City venue that is selected for its’ ambience and proximity to prospective target audiences. The venue has a strong repuatation for exhibiting contemporary Audio-Visual works.

The exhibition opens Wednesday 30th October and will screen until November 20th from Monday through Thursday (with extra exposure Friday & Saturdays).

Submissions must be between 2 and 9 minutes in length, with or without audio. The exhibition allows for single, two & three channel works. Works submitted for curatorial consideration may be supplied as a DVD, Blu-Ray, or .MOV format –with all channels published in one video (or file).

Works may be posted to:

Bivouac 2013

P.O.Box 177


VIC 3451


Applications will be received until 5pm on Monday the 2nd of September and all successful artists will be notified on Monday 16th of September. A $30 staging fee will be required from the successful applicants.


Please contact curators and organisers for more information:

Jessica Litsas

Mark Walker

Econasia: Maritime

Maritime contains video and photographic works that form parts four & five of the Econasia series. The videos Irredentist and Affirm were filmed on the Yangtze River in China and the Inland Sea in Japan, respectively. Incorporating political science text and passages from Albert CamusThe Plague these works hope to offer an evocative consideration of contemporary political tensions in East Asia. The videos feature sound by Sarah Phelan & Byron Dean, with vox by Yanxin Li & Jihyun Lee.

This show is perhaps the most poignant representation of the Econasia series to date and will run at Kings Gallery from May 29 until June 22 on Level 1 / 171 King Street.

Irredentist Video Still


CLASS at Seventh Gallery


Opens Wednesday: 17th April Show runs until 4th May

Seventh Gallery, 155 Gertrude Street Fitzroy, from 6pm

This video installation is a representation of the confines of class in society; the footage from beneath freeway junctions typifies a perceived structure (or mechanism) of authority and labour. It is also analogous to the notion of aglass ceilingor typical confines that are prevalent between the status quo and those emanating from lower sociopolitical groups.
The video offers a visually appealing set of moving images that are complimented by ambient sound.

Sound and Video: M T WALKER


During the Second World War Japan invaded the Netherlands colony of the Dutch East Indies (the Indoneisan archipelago). Following the Japanese surrender to the Dutch at the end of the war, some 3000 Japanese soldiers remained in Indonesia and went underground to fight with anticolonial revoultionaries. These Japanese mercenaries assisted in the rebellion against the Dutch and are still celebrated in the Revolutionary Martyrs Cemetary in Jakarta (where this video is shot). Most of the Japanese remained in their adopted state and their families continue to contribute to the national diaspora. At times this Japanese influence often undermined the repressive Suharto regime that wrestled power from the original architects of the revolution (i.e. Soekarno) and imposed a nationalistic fervour that brought death and decay to the nation.

Econasia 6: Vicissitude
Video 430 2012
Japanese with English subtitles
Sound: Jonathon Nokes | Vox: Jun Miyagi | Text: Soekarno 1967

Panorama (SAM)

This month, I visited Singapore to sample the arts scene in this megacity; which is perhaps the face of contemporary South East Asia. Whilst checking out some local galleries around Armenian Street (The Substation was great), I also viewed the gallery at SOTA and the Panorama show at SAM. Thus, Ive compiled a video of the works at Singapore Art Museum (SAM) as theyve curated a fascinating show over 3 levels, offering the best of Asias contemporary art. This massive showcase runs until December 25th, 2012 –so youve plenty of time to drop in if youre travelling through this unique (and often puzzling) city.